Wednesday, January 16, 2008

Movie Review: Charlie Wilson's War (2007, Mike Nichols)


* * *

Cast: Tom Hanks, Julia Roberts, Phillip Seymour Hoffman, Amy Adams, Emily Blunt, Brian Markinson, Jud Tylor, Hilary Angelo, Cyia Batten
Screenplay: Aaron Sorkin (Based on the book “Charlie Wilson’s War” by George Crile)
97 minutes / Color

Did get educated regarding Charlie Wilson’s actual war? Yes; BUT I still had a sense of feeling that the movie was rather pointless (despite a great performance by Hanks and a pretty good screenplay). I guess the mediocrity really came from the foundation of it all, which means the overrated performances (Hoffman and Roberts) and over-hyped direction of “The Graduates’” (1967) Mike Nichols. Final summary of “Charlie Wilson’s War” is: Interesting but Mediocre.

Texas Congressman Charlie Wilson (Tom Hanks) is a womanizer, over-the-top-scotch-drinker and fun-wheeling government official in the United States. As the wild person he is, he never failed to do his missions and jobs and is about to face one of the most relevant things he’ll ever do that’ll make the Afghans win the 1980’s Cold War.

As a member of the United States Defense committee, he is soon asked by rich socialite Joanna Herring (Julia Roberts) to take on a mission to try and help the Afghans win the war against the Soviets by raising money through the government.

After seeing the harsh effects that happened to Afghanistan due to the attacks by the Soviets, Wilson is later convinced and starts his fund raising. He gets in contact with Gust Avrakotos (Phillip Seymour Hoffman), a specialized CIA agent, and the two start their work in persuading the American Government to give 5 million dollars to buy weapons and supplies.

The two make it big, as their 5 million dollar donation, finally turns into a great sum of 1 billion dollars as they convinced them! Afghanistan, using the super deadly weapons that the Americans donated, ended up winning the Cold War and Charlie Wilson not only got re-elected for Congressman, but becomes one of the most important men in American history.

At the start of the year, “Charlie Wilson’s War”, a new “sensation” with great star-power led the buzz. Everything from the acting, direction and screenplay were in consideration for the Academy Awards. Everyone thought that this and “Atonement” would wipe everything out. When it came Oscar Season, it seems that Charlie Wilson really will be battling some big wars. Now, this movie has gotten mediocre reviews and has a huge, huge, huge long shot at getting nominated…for anything.

Though it has garnered a few fans, it seems that this movie didn’t impress me so much (despite the 3 stars -- Hanks, Roberts and Hoffman--I constantly praise for their Oscar wining performances). The movie turned out to be interesting with some parts boring, acting was mediocre, screenplay was great, and the movie turned out to be completely over hyped. I’m sorry to the fans, but I really didn’t feel it that much.

I must admit however, it started with a great bang, the scene where Tom Hanks is in the Jacuzzi with the play boy star and producer in Las Vegas. Great “misleading’ first scene, the rest of the movie was a political drama, trying to hide itself with a few comic moments.

Tom Hanks, an iconic legend by now, was actually pretty great. The role worked for him like his other movie which he put on a Southern accent for “Forrest Gump” (believe me, this and that don’t compare). However, he shined the most and did well in the title performance. Amy Adam’s small role was fun (I’m not just speaking as an “Enchanted” fanboy), but she was definitely underused.

The over hyped and overrated duo: Mrs. Julia Roberts and Mr. Phillip Seymour Hoffman weren’t only uninteresting to watch, but we’re very…hmm…what’s the word? Fine, I’ll just say a phase: “Not to good for all their awards buzz”. Julia’s accent was not too flattering, her character development was thin and she looked liked a transvestite (haha, I just had to point that out). Hoffman was practically the same as he usually is, except he had different makeup and costume. As least his other two acclaimed performances this year (“Before the Devil Knows You’re Dead” – he’s excellent there) wasn’t like this. He’s completely overrated. Sorry to anger those who really loved Roberts and Hoffman in this. But hey, reviews are just a matter of opinion right?

As the film progressed, I thought it was okay and the screenplay was really great, but it was too “thin-a-plot”. It seems like everything was in place and then everything just ended. Just when the character’s were developing or showing a different face, the movie just suddenly ended. This kinda annoyed me, because I wanted to see it more. Maybe a final 30-40 minutes of absolutely wonderful acting and dialogue could have given them a rightly deserved 4 or even 5 stars. Just too bad.

The showcase of the war scenes were probably the best part of the movie. It was a mix of comic styling / video game style. It was actually pretty cool, and if those were visual effects, I am pretty amazed. Cool scene they were.

As I watched “Charlie Wilson’s War”, it just popped up and went. Nothing special, but really, really, really far from terrible. It’s one of the highest ranked 3 star films this year…if that makes sense to you. It was uncompelling and rather thin and I think Mike Nichols couldn’t put his talent to better use with different material. I anticipated this film a lot and it ended up being a let down.

Tuesday, January 15, 2008

Late WGA and PGA nominations.

WGA NOMINATIONS

Original Screenplay -

"Juno" / Diablo Cody
"Michael Clayton" / Tony Gilroy
"The Savages" / Tamra Jenkins
"Knocked Up" / Judd Apatow
"Lars and the Real Girl" / Nancy Oliver

Adapted Screenplay -
"No Country for Old Men" /
Joel and Ethan Coen
"There Will Be Blood" / Paul Thomas Anderson
"The Diving Bell and the Butterfly" / Ronald Harwood
"Into the Wild" / Sean Penn
"Zodiac" / James Vanderbilt

PGA NOMINATIONS

Producer of the Year Award in Theatrical Motion Pictures -
"The Diving Bell and the Butterfly"
/ Miramax
"Juno" / Fox Searchlight
"Michael Clayton" / Warner Brothers
"No Country for Old Men" / Miramax-Paramount Vintage
"There Will Be Blood" / Miramax-Paramount Vintage

GOLDEN GLOBE WINNERS!

Best Motion Picture Drama - "Atonement"

Best Motion Picture Musical or Comedy - "Sweeney Todd"

Best Actor in a Drama - DANIEL DAY-LEWIS in "There Will Be Blood"

Best Actress in a Drama - JULIE CHRISTIE in "Away From Her"

Best Actor in a Musical or Comedy - JOHNNY DEPP in "Sweeney Todd"

Best Actress in a Musical or Comedy - MARION COTTILARD in "La Vie en Rose"

Best Supporting Actor - JAVIER BARDEM in "No Country for Old Men"

Best Supporting Actress - CATE BLANCHETT in "I'm Not There"

Best Director - JULIAN SCHNABEL for "The Diving Bell and the Butterfly"

Best Screenplay - JOEL AND ETHAN COEN for "No Country for Old Men"

Best Original Song - "GUARENTEED" from "Into the Wild"

Best Original Score - DARIO MARIANELLI for "Atonement"

Best Animated Feature - "Ratatouille"

Best Forieng Language Film - "The Diving Bell and the Butterfly"

Thursday, January 10, 2008

Oh man, I'm so lazy to post reviews...

Saw Charlie Wilson's War (2007) around a week ago. Damn! I'm so lazy to post a review for that unflattering and rather disporting film. I will though. SOON. Promise.

Wednesday, January 9, 2008

DGA nomiees!

Anderson, There Will Be Blood
Joel and Ethan Coen, No Country for Old Men
Tony Gilroy, Michael Clayton
Sean Penn, Intbo the Wild
Jullian Schnabel, The Diving Bell and the Butterfly

DAMN! I sucked this year. I only got 3 nominees right? Couldn't I at least get four? LOL. Moving on...

THOUGHTS:
-The Coen are practically a lock
-With support from the SAG and DGA, it looks like "Into the Wild," "No Country for Old Men," and "Michael Clayton" will probably be up for a Best Picture nominations. Lets wait for the PGa though.
-"Atonement" and "Sweeney Todd" aren't considered out yet...but are unlikely.

Tuesday, January 8, 2008

Happy Birthday Elvis!

WELL, its the King of Rock 'n' Rolls birthday today. I'm just here to pay a small tribute to him with these two very cool Elvis films I've seen:

Jailhouse Rock (1957) - Black and White glory, Elvis, good story, nice sound and emotion. One of Elvis' very few dramas, he really scores high here. I shan't forget his very memorable (and probably most iconic song to date) "Jailhouse Rock" which is performed here to greatly. The staging is wonderful.


Viva Las Vegas (1964) - Now this is really the one to watch out for. I think this is really his best, best work. Acting and vocal wise. And Ann-Margaret is also such a perfect leading lady for him. Their poolside duet "The Lady Loves Me" is the best in the movie. So bittersweet and the film is just really interesting, all together. The title tune shouldn't be forgotten too. THIS HAS ELVIS MARK....Worth a watch!

This tribute ain't much. But it's for the King. Just to say: "YES. WE STILL REMEMBER YOU."

If you think about, Hairspray has quite a big chance.

Okay, part if this post is really wishful thinking. But if you think about it, "Hairspray" (that amazing movie musical that stunned everyone last summer) really has a big shot at being nominated for Best Picture. Let me tell you why I think so.

First of all, "Hairspray" is the most well received musical of the year. I won't even count "High School Musical 2"! I mean look, "Across the Universe" had mix reviews, "Enchanted" only is a Best Song and Best Actress contender and "Sweeney Todd" lacks a SAG nomination that it so desperately needed (it needs a DGA nod also).

Since "Hairspray" got a SAG nomination for Best Ensemble, we all know that the actors (who not only votes for SAGS but also for the Oscar) actually support the film. Since its winning SO many Ensemble Awards (just recently the Critics Choice Award), I think it will win the SAG. I really do. Okay, "No Country for Old Men" might disapoint, but I think it stands a great chance.

It got some Golden Globe nominations too. That doesn't hurt its chances at all. All we need to know that "Hairspray" will be nominated for Oscar's Best Picture is if gets nominated for the PGA awards. I think it's really, really close. With all the wonderful techs, producers will definitely not turn their backs on this project.

Yes, "Dreamgirls" got DGA, SAG, PGA nominations and a Golden Globe win for Best Picture, but sometimes we shouldn't compare really great films with overrated ones...

Well, if you don't believe me. A GUY CAN WISH RIGHT?

DGA Predictions

Well everyone's talking about it. I honestly don't know when they'll be announced. Tommorow right? Whatever. I can't keep track with so much on my mind. Here's my predictions:

Joel and Ethan Coen, NO COUNTRY FOR OLD MEN - WINNER
Joe Wright, ATONEMENT
Jullian Schnabel, THE DIVING BELL AND THE BUTTERFLY
P.T. Anderson, THERE WILL BE BLOOD
Tim Burton, SWEENEY TODD: THE DEMON BARBER FROM...

On the Globes this Sunday...

WOW. I hope the Oscars don't turn out like this.

(SOURCE: http://imdb.com)

"Amid Strike Fears, Golden Globes Reduce Coverage

In the wake of the ongoing Writers Guild of America strike, NBC and the Hollywood Foreign Press Association have proposed scaling back their coverage of Sunday's Golden Globe awards from a three-hour ceremony and dinner to a one-hour press conference announcing the winners. Fearful of WGA picketing, and a recent statement by the Screen Actors Guild that none of the 70+ acting nominees would attend the ceremony, the Globes made a mad scramble on Monday to come up with a contingency plan that would allow some kind of network television coverage (and thus save millions of dollars in advertisting revenue) without the fear of picketing or no-shows from high-profile celebrities. To insure that the show would go on in some way, NBC, Dick Clark Productions (which produces the Golden Globes show) and the Hollywood Foreign Press Association have decided to cancel the traditional dinner and ceremony, and instead broadcast a press conference via NBC News (which is not affected by the WGA strike) to announce the winners, and bracket this one-hour special with a number of different news programs centering on the Globes. At press time, while the WGA had agreed to withhold its picketing from the press conference, it had not given an official go-ahead for the additional coverage. Negotiations were said to be ongoing regarding the use of clips and the Globes party coverage.According to the Los Angeles Times, NBC issued a statement late Monday afternoon that said Sunday evening would tentatively contain the following broadcasts (all times are Eastern):

7pm: A Dateline NBC special with interviews and clips of the nominees (initially scheduled for Saturday)

8pm: Tentatively, a retrospective/clip show to be produced by Dick Clark Enterprises

9pm: A NBC News press conference announcing the Golden Globe winners

10pm: An Access Hollywood-style Golden Globes party show

The new broadcast plan will allow for a certain amount of red carpet coverage and party coverage in addition to the press conference. Nominees and party attendees would be expected to go down a traditional red carpet, but they would then split off to various parties. Once the awards were announced, the winners would have an opportunity to give a statement or reaction from either a party site or the press room. So far, no potential attendees have confirmed or denied they would attend any of the festivities.

The Internet Movie Database takes no responsibility for the content or accuracy of the articles above. Studio Briefing is edited by Lew Irwin and articles are the copyright of StudioBriefing. The Celebrity News articles are licensed from WENN (World Entertainment News Network) and published for the entertainment of our users only. The WENN items do not represent IMDb's opinions nor can we guarantee that WENN's reporting is completely factual. Please address any complaints regarding the content of WENN to imdb@wenn.com."

THANKS IMDB for ARTICLE!

CRITICS CHOICE AWARDS WINNERS!


Best Picture
NO COUNTRY FOR OLD MEN

Best Director
Joel and Ethan Coel - NO COUNTRY FOR OLD MEN

Best Actor
Daniel Day-Leiws - THERE WILL BE BLOOD

Best Actress
Julie Christie - AWAY FROM HER

Best Supporting Actor
Javier Bardem - NO COUNTRY FOR OLD MEN

Best Supporting Actress
Amy Ryan - GONE BABY GONE

Best Documentary
SICKO

Best Family Film
ENCHANTED

Best Animated Film
RATATOUILLE

Best Comedy Movie
JUNO

Best Ensemble Cast
HAIRSPRAY

Best Foriegn Language Film
THE DIVING BELL AND THE BUTTERFLY

Best Song
Falling Slowly - ONCE

Best Composter
Johnny Greenwood - THERE WILL BE BLOOD

Best Young Actor
Ahmad Khan Mahmoodzada - THE KITE RUNNER

Best Young Actress
Nikki Blonsky - HAIRSPRAY

Best Screenplay
Jiablo Cody - JUNO

COULD THE BIG 6 BE LOCKS?

Sunday, January 6, 2008

Oscar Predix.

Best Picture
1. No Country for Old Men
2. Atonement
3. There Will Be Blood
4. Into the Wild
5. Sweeney Todd: The Demon Barber from Fleet Street
6. Juno
7. Hairspray
8. American Gangster
9. Charlie Wilson’s War
10. The Diving Bell and the Butterfly

THOUGHTS: As off now, "No Country for Old Men" is nearly a lock, but we must remember that Critics don't vote for the Oscars. We have to wait till the Oscar nominations come out. But hey, the SAG nod surely helps. It's biggest competition however are "Atonement", "There Will Be Blood" AND "Into the Wild" who are really strong at this point of the race. "Hairsprays" status had gone way up after the SAG nomination, lets see if it snags the Globes.

Best Actor in a Leading Role
1. Daniel Day Lewis in There Will Be Blood
2. George Clooney in Michael Clayton
3. Johnny Depp in Sweeney Todd: The Demon Barber from Fleet Street
4. Viggo Mortensen in Eastern Promises
5. Emile Hirsch in Into the Wild
6. James McAvoy in Atonement
7. Denzel Washington in American Gangster
8. Ryan Gosling in Lars and the Real Girl
9. Tom Hanks in Charlie Wilson’s War
10. Frank Langella in Starting Out in the Evening

THOUGHTS: Daniel Day Lewis seems to have this one in the bag. George Clooney is his only threat at this point because he's the only "strong enough" contender who got a SAG nomination as well as a GG. True Viggo got a SAG and GG nom, but do you HONESTLY think he's strong enough? Nuh-uh.

Best Actress in a Leading Role
1. Julie Christie in Away From Her
2. Marion Cotillard in La Vie En Rose
3. Ellen Page in Juno
4. Amy Adams in Enchanted
5. Angelina Jolie in A Mighty Heart
6. Keira Knightly in Atonement
7. Cate Blanchett in The Golden Age
8. Helena Bonham Carter in Sweeney Todd: The Demon Barber of Fleet Street
9. Nikki Blonsky in Hairspray
10. Nicole Kidman for Margo at the Wedding

THOUGHTS: The critic wins from Christie and Cottilard just show how powerful their peformances are, but will the Academy go for them or the other Oscar-friendly performances...like, let's say ELLEN PAGE.

Best Actor in a Supporting Role
1. Javier Bardem in No Country for Old Men
2. Casey Affleck in The Assignations of Jesse James by Coward Robert Ford
3. Philip Seymour Hoffman in Charlie Wilson’s War
4. Hal Holbrook in Into the Wild
5. John Travolta in Hairspray
6. Tom Wilkinson in Michael Clayton
7. Ethan Hawke in Before the Devil Knows You Dead
8. Phillip Bosco in The Savages
9. James Brolin in American Gangster
10. Ben Foster in 3:10 to Yuma

THOUGHTS: Bardem practically has the Oscar already. He just needs the SAG to truly secure his position. Affleck may upset and everyone else...their just fillers. With "Hairsprays" SAG nom and the lack of enthusiasm for "Michael Clayton", I have a very good feeling that Travolta might just get a nomination. It would be very, very cool!

Best Actress in a Supporting Role
1. Cate Blanchett in I’m Not There
2. Amy Ryan in Gone Baby Gone
3. Tilda Swinton in Michael Clayton
4. Saoirse Ronan in Atonement
5. Ruby Dee in American Gangster
6. Catharine Keener in Into the Wild
7. Romola Garai in Atonement
8. Julia Roberts in Charlie Wilson’s War
9. Michelle Pfeiffer in Hairspray
10. Vanessa Redgrave in Atonement

THOUGHTS: It's Cate vs. Amy Ryan. Nuff said. However...there might be some SAG upsets.

Movie Review: Before the Devil Knows You're Dead (2007. Sidney Lumet)


* * * * *

Cast: Phillip Seymour Hoffman, Ethan Hawke, Albert Finney, Marissa Tomei, Rosemary Harris, Amy Ryan, Aleksa Palladino, Michael Shannon, Blaine Horton, Brian F. O’Bryne
Screenplay: Kelly Masterson
117 minutes / Color

Sidney Lumet’s new movie “Before the Devil Knows You’re Dead” should give the acclaimed director a 6th Oscar nomination and maybe even a win. The film turns out to be extremely intense, interesting and the ensemble works wonders with their magnificent acting powers. Masterson’s original screenplay cannot get any better and the film is one of the most unpredictable of the year. As you watch, you will cling onto your seats, terrified and in wonder of what the main characters will do next. The experience is amazing.

In the story, we meet Andy (Academy Award winner Phillip Seymour Hoffman), a man married to the sexy Gina (Academy Award winner Marissa Tomei), but still unhappy with his “low paying job” even though we all know his money goes to drugs and not himself and his wife. We also meet Hank (Ethan Hawke), Andy’s brother who has a lot of debts and Child Support to pay, without the means to pay it. The brothers lead miserable lives struggling for money, until Andy gets an idea…

In the Suburbs, their parents, Charles (Albert Finney) and Nannette (Rosemary Harris), own a high class jewelry shop with around $600,000 dollars worth of rocks and bobs and necklaces. They device a plan that Hank would go there early one weekend and rob their parents shop with a toy gun and escape quickly, but Hank does one move that changes the whole course of their plan…and their lives.

On his way to the shop, Hank picks up a friend named Bobby (Bryan F. O’Bryan) to help him rob the place. As Bobby robs the shop, Hank’s frightened mother does her best to defend herself and grabs a gun from the counter cabinet. When Bobby gets shot by Nannette, his only impulse is to shoot her back and they both die…

Now with the thing they’ve done, the boys must face the personal grief of their mother’s death, while having her and their friend’s death in their conscience. Their father, Charles (Albert Finney) is extremely not happy and begins an investigation of his own.

After the funeral, the boys still need their money…badly, but their personal lives are cracking up as the family turns more dysfunctional and ugly. Hank now must also face death threats from Bobby’s family members and must pay them $10,000 to support Bobby’s wife and child.

The boys have no way out and must take things into their own hands. Andy, a little crazy after he learns his wife was actually cheating on him for his brother, kills his Drug Dealer and takes his money to try and pay back Bobby’s family before his brother gets murdered.

When Andy and Hank arrive at Bobby’s house to give his widow and his brother-in-law their money, Andy gets a sudden (and wrong) impulse and shoots the brother-in-law rapidly in the face. He turns to his brother, still angry at the fact he’s been sleeping with his wife, this gives Bobby’s widow time to grab a gun and shoot Andy in the belly. Hank runs away and is never seen again.

Andy is soon sent to the hospital and Hank escapes with enough money to pay his debts. However, their father Charles, who learned from an old Jewel Seller contact that his son Andy was trying to sell him jewels, he knows that his son (missing out Hank) was the one who organized the whole crime that lost his wife…he then travels to the hospital.

As he sees Andy on the bed apologizing to him, he says to his son that everything is okay and misleads him, allowing him to sleep. As his son is at rest, Charles grabs a pillow and suffocates him till he dies of “natural causes”.

“Before the Devil Knows You’re Dead” is definitely dark and crazy, but if you look closely at the movie, you’ll realize that it’s one underrated piece of work, that isn’t just full of death and sex and drugs, but it’s a masterpiece in two ways: acting and writing.

The screenplay of Masterson: WOW, one of the most unflawed works on the year. The way it was written was so unique and well done. The way we get to see all the character’s point of views in this particular event is just genius. It makes us feel that all characters play such a big part in the story (that’s why it hurts for me to put Ethan in his campaigned category: Supporting). Lumet’s unconventional direction and the magnificent film editing compliment the screenplay very, very well.

However, the main attraction of “Before the Devil Knows You’re Dead” is it’s magnificent ensemble of talented artists. All the performances in this movie (even the few minutes of Rosemary Harris) are so flawless and first-rate that you’d like to kill yourself from over amazement…

Supporting players Albert Finney and Marissa Tomei make their screen time worth while with really great acting. Tomei, who I last remember in “Alfie” (2004) didn’t make me cringle at all. She was pretty good, but still, her work in “In the Bedroom” (2001) is far superior. Albert Finney was great, but once again (like Tomei) his other films, particularly his recent supporting roles in “Big Fish” (2003) and “Erin Brockovich” (2000) are far, far, far superior then his performance in this. They are not bad at all, just not as brilliant as Hawke and Hoffman.

Phillip Seymour Hoffman was great, no “Capote” (2005) but his role is very much too memorable not to give him a Best Actor nominations (at least for now), but I do have the sense he’s overrated in this film for one reason: everyone says he’s better then Ethan Hawke. WHICH I FIND VERY CRIMINAL.

Ethan Hawke was all glory and no play and I’m singling him out as not only the best performance in the entire duration of the film, but also one of the best supporting actors of the year. He was very brilliant. In a weak year for supporting performances, it truly makes me cringe knowing they he’s not getting enough attention…the attention he truly and desperately needs and lacks. Hawke was the bomb and made “Before the Devil Knows You’re Dead” a true piece of art because he stole the show from “lead” Hoffman and led the ensemble with a great, passionate, dark, show-stopping performance.

This drama is full of great suspense and thrills and Masterson gives the characters a certain depth that we end up relating (or at least “feeling”) for their problems. “Before the Devil Knows You’re Dead” goes beyond an ensemble drama, which right now so many people are classifying it as, and transforms itself into a film with everything an Oscar/Film lover needs.

Movie Review: Atonement (2007, Joe Wright)


* * * * *

Cast: James McAvoy, Keira Knightly, Saoirse Ronan, Romola Garai, Vanessa Redgrave, Brenda Blethyn, Juno Temple, Alfie Allen, Patrick Kennedy, Benedict Cumberbatch
Screenplay: Christopher Hampton (Based on the novel “Atonement” by Ian McEwan)
130 minutes / Color

Joe Wright, as a director, with only a few films, has already become one of my all time favorites. This and his 2005 work “Pride and Prejudice” (both with Keira Knightly) are so fantastic and “Pride” is such a master work. When it comes to the movie “Atonement’, Joe Wright, once again puts his mark as a filmmaker and stuns audiences with not only his direction, but his casting choices (Keira, McAvoy and the ensemble of brilliant actors).

Starting out in 1935 England, in the home of the mega rich Tallis family, we are introduced to the youngest daughter Briony (Saoirse Ronan), a devoted 13-year-old playwright in a boring summer day in their gigantic mansion. On that day she makes shocking discoveries about the House Keeper’s son Robbie (James McAvoy), that he is really in love with Briony’s Sister Cecilia (Keira Knightly).

Robbie, on an eager attempt to clear a dark cloud between him and Cecilia, writes a very passionate (and very “sexy and steamy”) love note to Cecilia saying that he wants to lick her “wet cunt” and that he loves her. Robbie (in a very wrong move) tells the young Briony to deliver it to her older sister but she reads it also, which leads to a conclusion that Robbie is a “sex maniac”.

She delivers it anyways and Cecilia sees that letter and feels the same way toward the young man. Expressing her feelings, she and Robbie have a passionate love-making session in the house’s library and Briony walks in and gets instantly traumatized. Not saying anything, Briony and the couple continue on to dinner which is a celebration to their brother Leon (Patrick Kennedy) and his friend Paul Marshall’s (Benedict Cumberbatch) visit to the estate.

When the entire dinner guests realize that two young boys are missing, they all spread out to look for them in the estate. Young Briony goes alone and wonders into the bushes where she sees her cousin Lola (Juno Temple) getting raped by a mysterious figure. As she shines the flashlight to them, he runs away and she implies it’s the sex maniac Robbie, who she saw “attacking her older sister Cecilia in the library” (not knowing it is actually guest Paul Marshall). Robbie soon gets convicted for a crime he didn’t do and leaves Cecilia alone…

5 years later, World War II begins and the government asks Robbie if he would either stay in jail or fight for the army. Eagerly wanting to see Cecilia, he accepts the Army Job and gets out of prison. He meets up with Cecilia and promises each other that when the war is over, they’d meet in a beautiful beach house by the sea.

Now 18, Briony works in the city as a nurse, while being ignored by her sister and Robbie. She is an adult now and realizes the wrong accusations she did that one summer. She does all she can to make it up to Cecilia and her lover, but they do not accept any of Briony and her asking for forgiveness.

In a tragic end, Robbie ends up dying in France from a sickness, on the last day of his stay there. Cecilia, back in England, supposedly safe in a bomb shelter drowns when the bomb shelter is blown up and the water breaks inside. Briony, feeling forever guilty for taking the couple’s life away from them becomes a writer again, as she was 5 years ago and writes a novel called “Atonement” and bases everything by fact and not changes one name for she wants to tell the truth of what really happened that night.

Briony only drops one actual event, she doesn’t make Robbie and Cecelia die like they really did and she makes them meet in the beach house, the thing they always wanted to do, to show people they they’ll always be together forever…now in heaven.

As a result, “Atonement” is not only a vibrant mix of beautiful costumes, sets and colors, but is also filled with rich performances and magnificent shots from director Joe Wright. The ensemble is amazing. Even the 5 minute performance of veteran Vanessa Redgrave as an aged-version of Briony is first-rate and absolutely perfect.

James McAvoy, who last year made an astonishing performance in “The Last King of Scotland” (2006), does it again and is surely one of the brightest stars in the Hollywood scene today (along side his beautiful co-start Keira Knightly off course). He makes a chummy character and puts a lot of interesting thoughts in it. Throughout the movie, you have the “need” to know what Robbie is thinking. Throughout the movie we are very unsure of what Robbie is thinking and this is all done by the face acting of McAvoy. He is completely capable as an actor to make the audiences very interested in a character that could be normal as ever and make his too mysterious to be true. No one could have pulled “Robbie” off as he did.

Keira Knightly, doesn’t pull a Best Actress performance like she did in 2005’s “Pride and Prejudice” as Elizabeth Bennett, but she was no other then impressive. Though I got kinda ticked off when she said “Come back to me. Come back”, it wasn’t a problem for her character had a lot of sex appeal and she brought a lot of glory into McEwan’s character. Oh yeah, did I mention how BEAUTIFUL she was? Damn that green dress!

The Briony’s however, were the people fighting to be on screen. They were all tooooooo fantastic to be true. Ronan’s start was exciting and she is a fantastic young actress (way better then the overrated likes of Abigail Breslin and Dakota Fanning). Redgrave as I said was perfect, she was emotional and it came very natural. Garai however was the standout. She was fantastic and her acting skills are so pure and so great that she stole the movie from Keira Knightly. Underrated performance is given by Romola Garai and she should be praised…a lot!

The technicals of the film were also very awesome, not only was the movie beautiful but it was also really great to look at (exclude the beautiful actors okay?). How can I even begin with the beauty of the sets and costumes? Everything the characters and every place they were in, complimented each other, not to mention the perfect cinematography and lighting. The summer day felt hot and humid like summer, the death scenes were dark and sad, and the ocean was gray and windy. Fantastic colors and great components that compliment each other are one thing people appreciate, and “Atonement” is highly appreciated.

I love Joe Wright’s direction. From the first shot of “Pride and Prejudice” to the last shot of “Atonement”, everything Wright has done is absolutely perfect in every single directional aspect. He is really gifted and I am looking really, really, really, really forward to his next movie. He can’t do any wrong. ALL IS SAID.

Now I understand all the love for “Atonement”, I can’t say it’s the Best of the Year, but that its one of the best. Artistically it probably is though. A screenshot of the film, the beautiful of that split second, will give you a summary of how wonderful and beautiful the entire picture is. McAvoy, Knightly and Garai give remarkable performances and Wright’s direction is flawless.

Saturday, January 5, 2008

Depressed...in an Oscary way.

SHIT. I'll be in Singapore with my school when the Oscars show on the 24th. THIS SUCKS!

Thursday, January 3, 2008

In My Opinion...15 Best Movies of the 2000s.

1. MOULIN ROUGE! (2001, Baz Luhrrmann) - Nicoloe Kidman and Ewan McGregor play Satine and Christian, a courtesean and a writer, as the doomed lovers in this 19th century, sexy musical romance.

2. THE DEPARTED (2006, Martin Scorsese) - In this gripping Martin Scorsese masterpiece, Leonardo DiCaprio stars a Billy Costigan, a undercover cop looking for "himself" in the infamous Boston Mafia.

3. PRIDE AND PREJUDICE (2005, Joe Wright) - The most underrated picture of the decade, "Pride and Prejudice" stars young Keira Knightly in the lead role of Elizabeth Bennett, the young, middle-class, outspoken girl who falls in love with someone she thought she hates!

4. COLD MOUNTAIN (2003, Anthony Minghella) - Jude Law plays Inman, a soldier trying to return to his home town of Cold Mountain, to return to Ada Monroe (Nicole Kidman), a woman he has loved for long time in this Anthony Minghella civil war epic.

5. CATCH ME IF YOU CAN (2002, Steven Spielberg) - Based on a true story, Leonardo DiCaprio portrays Frank Abignale Jr.: Check Fraud and Con Man who travels all around the world, extorts 5 million dollars, gets engaged and pretends to be a pilot, lawyer AND doctor all before his 19th birthday.

6. REQUIEM FOR A DREAM (2000, Darren Aronofsky) - Marlon Wayans and Jared Leto play two best friends who associate their good-enough lives with "drugs" and ends up ruining it and not garnering thier "DREAM".

7. THE AVIATOR (2004, Martin Scorsese) - Playing Howard Hughes escorting Jean Harlow (Gwen Stefani in a cameo), Leonardo DiCaprio stars in Martin Scorsese's masterpiece set in old Hollywood, when the girls...AND airplanes were in!

8. CHICAGO (2002, Rob Marshall) - In the best stagged and most exciting musical number of the entire Best Picture winning film, Roxie (Renee Zelwegger), sings about how she's going to be famous and how her whole life will change when her charges of murder get dropped.

9. ERIN BROCKOVICH (2000, Steven Soderbergh) - Julia Roberts pulls of a-miracle-of-a-performnace in her Academy winning role as Erin Brockovich, the poor girl who discovers poison in the supply of a water company and saves THOUSANDS.

10. MYSTIC RIVER (2003, Clint Eastwood) - In this thrilling Clint Eastwood classic, a little Boston town (and especially parent Sean Penn) gets uttery disturbed when the body of a 19-year-old school girl (Emmy Rossum) gets found dead.

11. IN THE BEDROOM (2001, Todd Field) - Sissy Spacked stars as a grieving mother (ala Mary Tyler Moore in 1980's "Ordinary People") trying to cope with her life and her husband, when their only son gets murdered by his fiance's ex-husband.

12. ETERNAL SUNSHINE OF THE SPOTLESS MIND (2004, Michael Gondry) - In a truly original and rich film full of crazy shots and wonderful acting, Kate Winslet and Jim Carey lead an ensemble of stars as a man trying to forget his girl through science.

13. BIG FISH (2003, Tim Burton) - In this usual Tim Burton film (No Johnny Depp, not a dark movie?) we watch Ewan McGregor as Edward Bloom and how he pulls off a magnificent, magical life, until he becomes nothing but a "big fish".

14. WALK THE LINE (2005, James Mangold) - In the 2005 biography, Joaquin Phoenix and Reese Witherspoon star as Country singing legends Johnny Cast and Reese Witherspoon who fall in each others spells after a long love-hate relationship.


15. ALMOST FAMOUS (2000, Cameron Crowe) - Kate Hudson gives one of the most cinematically iconic supporting roles of all time as Band-Aid (kinda like a groupy) Penny Lane as she leads her life following after a band called Still Water in any ways she could.

NOTE: 2007 movie not included.

Wednesday, January 2, 2008

Chatbox Scandal

I'd really appreciate it if that person using Me and Bri's name in my chatbox pretending to talk to each other would stop it. IT'S REALLY IRRITATING! Seriously. First of all, we don't talk like that, ESPECIALLY BRI! If your gonna pretend to be someone, at least do it like the person. I'm not kidding, please don't do it again. I deleted my chatbox and if I get a new one, I'd appreciate it if you don't do it again.

Thank you.

:)

Tuesday, January 1, 2008

In My Opinion...Top 5 Underrated Flicks That Everyone Should See!

1. THE PRINCESS BRIDE (1987, Rob Reiner) - "The Princess Bride" is fairly popular, but not seen enough by "today's" generation. It's the fantastic, magic tale of a stable boy named Wesley (Cary Ewes) who became the long lost of love of a girl named Buttercup (Robin Wright Penn), who comes back for his bride when she's already engaged to an ugly prince. As he tries to win her back, the film is filled with great artistic sets and costumes and the fairy tale is twisted with humor and a wonderful storyline. It's must see! It's a fairytale for people who don't like fairytales!

2. HELLO, DOLLY! (1969, Gene Kelly) - The movie is a spectacular, extraordinary musical comedy about a matchmaker named Dolly Levi (Barbra Streisand) who has decided to match the ugly, grumpy old Horace (Walter Mathau) to, well-- HERSELF! Even though the movie manged to get a Best Picture nomination in 1969, the bashing from the small crowd of people who watched it today is not deserved and unappreciated. The film is filled with glorious techs and some wonderful and truly catchy songs like "Put On Your Sunday Clothes", "Dancing", "When the Parade Passes By" and off course the title tune, "Hello, Dolly!".

3. TO WONG FOO, THANKS FOR EVERYTHING! JULE NEWMAR (1995, Beenban Kidron) - Maybe its weird for some people to watch this, but "To Wong Foo, Thanks for Everything! Julie Newmar" is one of the funniest comedies you'll ever see in your life. It's the story of 3 Drag Queens on their way to California to join the DRAG QUEEN OF THE YEAR Pageant while being guided by the gay icon Julie Newmar who played Catwoman in the 1960's Batman shows. "To Wong Foo" is filled with hilarious laughs and a stupendous performance by John Leguizamo as Chi-Chi Rodriquez.

4. CLUE (1985, Jonathan Lynn) - One clever adaptation of the naughty Board Game, "Clue" comes to real life as a Mystery movie when a couple of very rich socialites get stuck in a mansion with a mysterious butler named Wadsworth (Tim Curry, of "Rocky Horror" fame) to uncover who killed 5 unknown people. The film is full of twists and turn, and believe me, if you keep an open mind, "Clue" will end up being one of the best 94 minutes of your Movie Life!

5. EASTER PARADE (1948, Charles Walters) - A less glamorous musical, "Easter Parade" gives us a delightful look at a vaudeville act transforming into a knock-out show from one Easter Sunday to another. This is possibly ONE of the best films of both song-and-dance people Judy Garland (her greatest performance is in 1954's "A Star is Born") and Fred Astaire who fall in love in the film as Dance Partners! The movie is not at all dragging and is a very suitable Holiday picture! Watch it!

"Bewitched" is such a good, classic TV show.

What some people don't know it that with "Friends", "The Simpsons", "South Park", "Arrested Development" and "Drawn Together", another one of my favorite TV Shows is 1965's "Bewitched". And NO it's not that incredibly STUPID Will Farrell and Nicole Kidman flick (ugh). It's been a while since I saw the TV show on air so I bought the first season on DVD the other day and I've been watching it like crazy, it's such a funny and truly magical series. It's so interesting and I really do love it. One of TV's ACTUAL best. Elizabeth Montgomery and Dick York are perfect as Witch married to Mortal. Give it a try guys!

So awesome!

Movie Review: Superbad (2007, Greg Mottola)


* * * * *

Cast: Michael Cera, Jonah Hill, Christopher Mintz-Plasse, Bill Hader, Seth Rogen, Martha MacIsaac, Emma Stone, Aviva, Joe Lo Truglio, Kevin Corrigan
Screenplay: Seth Rogen and Evan Goldberg
114 minutes / Color

Director Greg Mottola and screenwriters Seth Rogen and Evan Goldberg give us the most pleasant (and outrageous) surprise of the year with uber-psyched comedy “Superbad”. To be very corny for a second, I just gotta say that the title it too misleading to be true, because the film is far from being Superbad as is actually Super-Good. From the acting of the 3 young principal males to the hilarious screenplay, “Superbad” turns out to be the funniest movie of the year!

A small inside look of American high school behavior, we are introduced to the rather dorky Evan (Michael Cera), the overweight Seth (Jonah Hill) and the immature Fogell (Christopher Mintz-Plasse) who have one problem: they’ve never been laid and it’s their last year to do it so in college they won’t end up as “virgin losers” and would do anything for a simple “blow j”.

When Jules (Emma Stone), one of the hottest girls in school gets paired up with Seth in a class, she says she has a party in her house that night and Seth sees it as an opportunity to “get into her pants”. Even better, Emma asks Seth to bring some alcohol tonight, which gives Seth even a bigger chance to sleep with her, if SHE’S drunk.

So the three boys decide that they are going to buy alcohol to impress their girls tonight, but in a terrible misunderstanding that relates to Fogell’s fake ID in which his name is “Mclovin’”, the three reach great heights and many adventures just to get a few bottle of booze to impress the chicks.

They meet two wild cops (Seth Rogen and Bill Hader), they run away from crime, they get mixed up in a terrible druggy gang fight regarding “period”, they risk their lives and friendship and on top of all that Seth gets hit by a car.

Regardless of what they experienced, Seth’s selfish needs (and horniness) get the alcohol to Jules’s party. However, Seth ruins his chances with Jules after a terrible “hitting” accident and Evan doesn’t take advantage of the girl he loves when she’s drunk. The friends leave the party being chased by cops and miserable and in the verge of killing each other…

The next day, when they wake up from the night before, they realize that whatever comes between them, chicks or even different colleges, they’ll always be frie- I mean, brothers. But the two hit gold when their girls realize they ARE nice guys after all and go out with them anyways.

“Superbad” brings us sweet and hilarious in the same time. It turns out to be one of the naughtiest films of the decade and makes any Jude Apatow directed movies or actors look like they were crap. “Knocked Up” is receiving too much praise and this film is completely overlooked.

The amazing work by Seth Rogen and Evan Goldberg as screenwriters reached new heights. They’ve gone beyond the barriers of “teen sex movies” and have given us such a remarkable piece of work without showing a single breast or ass of some young 18-year-old “chick” that just signed onto the movie just because they don’t have any other job. The screenplay is so clever and so truthful and so utterly funny that the whole film builds around it. The story is original and superb and the young actors chosen give us some of the most underrated performances of the year.

The three principal lead males are too clever and funny and without them, the film would definitely NOT be as brilliant as it already is. Jonah Hill wasn’t too impressive as the other two, he was annoying at times but he was really funny. This Judd Apatow Regular, who always uses his “weight” as something to laugh about, will surely be in much more comedies (he has a hella amount just in the past few years already) in the upcoming years to come.

Michael Cera, who not only entertains SOOOOO much in the TV show “Arrested Development” gives us a much clever lead performance as Evan. Cera will go places as teen actor with the recent releases of this and “Juno” (2007). He gives proof that he is capable in a brilliant motion picture and help in the creation of its rompy brilliance. He was so interesting and he made his character so interesting that the screen hungers for more Michael Cera movies!

Christopher Mintz-Plasse and his dorky, immature, “McLovin’” performance has given us a supporting performance that is just so hard to forget. His heavy breathing, his look, his acting and not to mention that “sinister” laugh; everything about him was just so hilarious. He did the best job in the entire film and he can stand alone as the stick-out of “Superbad”.

As a much adult movie hidden in a “high school theme”, the film turns out to be truly clever and utterly enjoyable. Even though it runs a whopping 114 minutes, you really find the two hour one of the most enjoyable movie experiences of the year. You never want it to end (I know I didn’t)! “Superbad” is actually Super-Good and truly is the funniest, most outrageous, most hilarious, most scandalous motion pictures of the year.

HAPPY NEW YEAR!

May this be an amazing year full of good movies, a good Oscar ceremony, much scandal and no "try-hards". I love ya all!